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J.P: Analysis of title sequence - Pan's Labyrinth



Order of Titles:

  • Picturehouse & Telecinco present : 0.00-0.11
  • A Guillermo del Toro film : 0.14-0.20
  • Sergi Lopez : 0.31-0.38
  • Ivana Baquero : 0.46-0.50
  • Maribel Verdu : 0.51-0.56
  • Alex Angulo : 0.58-1.02
  • Ariadna Gil : 1.02-1.04
  • Doug Jones : 1.04-1.08
  • Music by Javier Navarrete : 1.14-1.16
  • Produced by Bertha Navarro : 1.17-1.25
  • Alphonso Carron : 1.19-1.25
  • Frida Torresblanco : 1.21-1.25
  • Produced by Alvaro Augustin, Guillermo del toro : 1.32-1.37
  • Executive producers Belen atienza, Elena Manrique : 1.41-1.46
  • Pans Labyrinth : 1.54-1.58
  • Maia d'Aboville, 2011 : 2.02-2.04
  • Music Pan and the Full Moon BY Javiere Navarette : 2.06-2.08

Typography:

  • The text is a mixture of black and white, these are quite neutral colours as they don't contrast with anything other than each other.
  • The names rotate out of the screen as if we are scrolling around a piece of paper, animation is also used to add a horror effect to the titles such as the movement of the trees or the eye following the text.
  • The writing appears in different places around the screen depending on where the animation is
  • Throughout the title sequence the corners are dimmed and flickering, this creates an old/spooky look to the title
  • The font itself is quite simple, I think this is so the effect is not taken away from the animations

Our production:

  • From analysing this extract I have noticed that if you have animations surrounding the titles you can get distracted from the names very easily. However the animations do add another element rather than just names, for our production we will not be using any heavy animations since firstly we have very few names. 
  • The titles from Pans Labyrinth are on a different background to the actual film but our film will probably have the titles overlaying the content.

1 comments:

Ms Johnson

An interesting title sequence to choose Josh. You include some pertinent comments although the detail in section three on relationship between text and visuals could be more developed as could observations about where the title of the film comes in the sequence. 15/20

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